Showing posts with label Suresh Urs. Show all posts
Showing posts with label Suresh Urs. Show all posts

VANMHAM MOVIE REVIEW

Since the title is very much self-explanatory, 'Vanmham' is basically a story of revenge and vengeance. That is not something very novel or daringly new in Tamizh cinema, but presentation and narration can make a big difference to a mundane subject. Being a double hero subject, can Jai Krishnaa, an old timer of Tamizh cinema and an former assistant to 'Ulaga Nayagan' Kamal Haasan, come clean with his debut film ?

Doing rural subjects is not something new to Vijay Sethupathi but we get to see him perform out and out action sequences, and sporting the white dhothi for throughout the film. He is very natural and mouths the Nagercoil accent very well. The performer in him sneak peeks in a scene or two but otherwise, its just an average outing for him. Kreshna is sincere and has come up with an earnest performance. His voice modulation is better and he has shown some improvement in his acting capability. Sunaina, looks pretty and that's about it with her role. Madhu Sudhan Rao, Anjali Rao, Bose Venkat, Muthuraman, Sriranjani, Radhamani Ammal, Vinodhini, Subburaj and etc completes the rest of the cast. Sadly, no one stood out for their performances, due to poor characterization and detailing.

'Supreme' Sundar's action choreography works for most of the time. Its not raw, quite filmy but somehow it works out. There's nearly equal amount of action footing for both lead heroes but Vijay Sethupathi gets the more intense ones. Shiva Yadav takes care of the art direction and his work fits the bill. The detailing for the inner section of the rural homes were well propped. The market scene stands out, if its pertaining to his work. Veteran Suresh Urs' editing was functional but he could have definitely chopped down plenty of scenes to spice things up, or to at least speed up the proceedings. The film takes it's own sweet time in unravelling and the unnecessary melodramatic moments are just mere speed-bumpers ! Bala Bharani's cinematography is passable and he has captured the beauty of the southern areas of Tamil Nadu, particularly Nagercoil and Kanyakumari very well. The quarry area, surrounded by deep waters, were well captured, especially during the intense fight scene, just before the interval. 

S.S Thaman's musical score is frankly, below average. "Paadatta Paadatta" is the obligatory introductory song for both, Vijay Sethupathi and Kreshna. The typical song-and-dance routine number featured both heroes, with the backing of group dancers, shaking their legs, in and around picturesque areas of Nagercoil. "Aetti Enge Pore" is a duet song, picturized on Kreshna and Sunaina. Some of the beautiful spots of Nagercoil was shot by Bala Bharani, especially of the small water dam and river areas. Kreshna and Sunaina shares good chemistry but the substance was missing from this combination, due to poor writing. "Maname Maname" is a pathos song, and has montage shots of all the main lead characters of Vijay Sethupathi, Kreshna and Sunaina and nearly all the other character artistes. S.S Thaman's background score is passable.

Being an associate of 'Ulaga Nayagan' Kamal Haasan, Jai Krishnaa should have realized the responsibility lying on his shoulders. Being an old-timer of the industry, his knowledge of presentation and contemporary film-making is, sorry to say, grossly missing ! The film has such an outdated theme of revenge but what's inexcusable is the bland, insipid and boring narration and dialogue writing of the film. The film's presentation is very archaic and is full of melodramatic moments, which would have worked out in the 80's and early 90's ! There's plenty of unnecessary action sequences thrown into the linear screenplay. There are plenty of loopholes and unanswered questions in the film's screenplay. Apart from the Nagercoil/Kanyakumari setting and the native accent used in the film, nothing else captures our attention. A certain sequence of the film is directly lifted from the 1998 Malayalam film, 'Kanmadam' starring Mohanlal and directed by A.K Lohithadas. The film is shockingly dreary and flavorless and sadly another liability to the film-based business people.

'Vanmham' - Vijay Sethupathi, you are suppose to be the poster-boy of new-age Tamizh cinema !


Ratings: 2/5 STARS

BY:TAMIL

PAANDI OLI PERUKKI NILAYAM MOVIE REVIEW

Rasu Madhuravan, known for his village-type, old tearjerkers, is back with another offering in 'Paandi Oli Perukki Nilaiyam' but sadly there's no deviation from his previous track. He has Sabarish and Sunaina as the lead pair this time, with a bevy of known and unknown artistes playing unimportant characters in the film, and appear just for the sake of sentimentality.

Sabarish, son of popular stunt director 'FEFSI' Vijayan makes another splash, or should say tried to make another effort to prove his mark as an actor. He has an interesting get-up, which reminds us of Vikram's image in 'Pithamagan'. He has clarity in his dialogue delivery but there's  no variations in it nor in his body language, which makes his performance look very caricature-like. His expressions are very standard and normal, which does not make him look outstanding from the overcrowded hero circle of Tamizh cinema. Being a son of stunt artiste, he delivers good action skills but his dancing capability seems to be limited. Sunaina looks okay, with decent face and physique and she has some acting capabilities which is not exploited here properly. The only thing which was used properly was her physical features in short, skimpy clothing. Karunas, 'Thambi' Ramaih, Soori and Singam Puli provides some comic relief here and there with their trademark buffoonery antics, and Singam Puli especially continues with his silly and amusing dialogue deliveries. Raj Kapoor, Vaiyapuri, K.Selvabharathi and etc makes up the big cast of the film and all of them delivered what was expected from them by the director.

The film has nothing to shout about technical wise. 'Supreme' Sundar's stunt scenes are okay and bearable but oddly, it looks very similar to the ones composed in 'Pithamagan' ! Veera Samar's art work is minimal, with the microphone and sound service shops, as well as the interiors of village houses looking natural. Suresh Urs keeps the film's pace watchable without much lag but he could not save much, thanks to the poor quality of the script. U.K Senthil Kumar, a veteran cinematographer captures the village portions, properly but other than that, there's nothing much to shout about in his work, apart from one or two good shots in the stunt scenes. Kavi Periathambi's music work is lame and boring. "Azhagu" is the introductory song of the protagonist with boring picturization, based on film festival setting and bad looking 'glamor' girl. "Mudhan Mudhalai" is a song shot in paddy fields and slowly transforms to the scenic localities of the Langkawi Islands in Malaysia, and also featuring Sunaina in revealing outfits. "Kettukodi" is a poorly remixed song of the old Sivaji Ganesan's 'Pattikaada Pattanama' film. This song was shot in the Bukit Bintang and KLCC areas of Kuala Lumpur in Malaysia, with mostly streets being shot with Sunaina, in short and body-hugging clothes. "Azhagana" song is shot in village setting with background dancers and is a slow-paced melody with more scenes from the Malaysian streets being covered with the lead pair dancing in a silly manner. "Dandanakra" is another festival song, but this one shot at night with again a badly looking 'glamor' girl as the lead dancer !

Rasu Madhuravan should either stop making films or should try to change his direction in cinema, if at all he wants to survive ! The story is out-dated and would have worked out in the 70's or 80's. The dialogues by him are mediocre, the romance portion between the lead pair looked very theatrical, the presence of many village folks as artistes making it look like another tearjerker. When even new, upcoming directors are experimenting with novel ideas, Rasu Madhuravan has stuck with a typical revenge story, which is boring and least interesting. Also, his characterizations were poorly etched out, leaving many looking like cartoons.

'Paandi Oli Perukki Nilayam' is a poor, poor product and its baffling to think what made Sunaina to accept such a film !


Ratings: 0.5/5 STARS

BY:TAMIL

BILLA 2 MOVIE REVIEW

Billa 2 - The most expected film of 2012, not only because of Ajith Kumar but also for the character that he played. Thanks to the excellent marketing and promotional activities, the hype and expectations grew many fold. The trailers and teasers were a class apart from the other films, and the standard was expected to set the bar of commercial cinema several levels higher. A gigantic opening is ensured since it has Ajith but will it satisfy the audiences' expectations completely?

The film has a different set of artistes performing and making their debut in Tamizh cinema. First and foremost, the heart and pivot of the film Ajith is a magnet. He just pulls the attention of the audiences, even if he just walks or appears in a scene. His mannerism and appearance were stylish to the core. His usage of his eyes to convey emotions is a strength to his character. Of course, not to be missed is his daring stunt sequences, especially the fight in the helicopter. The charismatic and gorgeous actor, could have reduced his weight to look younger since this is a prequel, so that it is in tune with the first installment. Two leading ladies, Parvathy Omanakuttan and Bruna Abdalah make their debut here. Sorry to say, they don't have anything to offer except to showcase the rocking body, especially the latter. No dialogues, no scenes to emote. (Not their fault, though). Sudhanshu Pandey and Vidyut Jamwal make their debut as the antagonists. Sudhanshu prepared well for his role to look older than his age (kudos to him for dubbing himself) and Vidyut performed his deadly stunt scenes perfectly. But they too have nothing much to contribute or to make an impression. The rest of the cast, Yog Japee, Manoj K.Jayan, Rahman, Ilavarasu, Sriman, Sricharan, Rohit Khurana, Dinesh Lamba, Daniel Kaleb, E.Karthik, Janaki Sabesh, Sarath Mandava, 'Theepatti' Ganes and etc did what was expected from them. We get to also see some hot girls such as Meenakshi Dixit, Gabriela Bertante and Nicole Amy Madell appearing in the songs.

This film has very high technical work and they should be individually appreciated and for their wonderful work. Nithya and Rafi's costume designing was stylish, in order to make the lead artistes to look good and the style was not too contemporary keeping in mind, the period the script is set in. Choreograph by Raju Sundaram, Aadil Shaikh & Fareeda and Ahmed Khan was okay, and only "Madurai Ponnu" had good dance movements. The VFX work under the supervision of Madhu Sudhanan by Reliance Media Works, Tata Elxsi and Future works was okay as well but the sequence where a car was shot and burst into flames, had bad quality in graphics. Stephen Gomes' sound effects was brilliant, especially the action sequences where gun shots, machetes, bomb blasts and etc were recorded realistically. The highlight of the action sequences is the stunt. They were very well choreographed and neatly executed. German based Stefan Richter, Kecha Khamphakdee's Jaika Stunt team and K.Rajasekhar are the stunt choreographers and their stunts were in sync throughout the film and apt with the characters that they choreographed for. V.Selvakumar's production crew did well with the sets, be it the whore house, gun factory, small restaurant, club house and etc. The props used, especially cell phones, cars and weaponry were specifically designed keeping in mind with the older period since this is a prequel. Suresh Urs's editing could have been better by making the film look racier with the screenplay as it lags, though it runs for just above 2 hours. Cinematographer R.D Rajasekar has done an awesome job with the RED EPIC Camera. Every shot has good detailing and the camera gives the film a very glossy look, with right correction in the color tones. The sequences shot in Georgia was beautiful and R.D once again proves why he is the man to can action sequences. A search is always visible and that makes the action sequences look better. Definitely it will be one of his best work in his career.

Yuvan Shankar Raja's music especially the background score is good but there's nothing much of variation from the previous installment of 'Billa' and some portions reminds one of Hans Zimmer's score in 'The Dark Knight'. Songs are average though but the picturization was even more average though the RED EPIC camera was used. "Madurai Ponnu" was the best picturized with good lighting and art work with earthy colors and top of that hot girls as dancers with Meenakshi Dixit leading the troupe. "Idhayam" is a mellifluous song and one of the best compositions from Yuvan. It was picturized on Parvathy running in slow-motion along the beach with intercepts of her scenes prior to the song. "Gangster" song had Yuvan making his cameo but it was reduced to a mere credits song with intercepts of blooper scenes. "Yedho Mayakkam" the best dance number had awesome girls like Nicole Amy Madell and Gabriela Bertante with Ajith, Sudhanshu and Bruna as well but the concept was poorly etched out and was boring to watch. The color tone and lighting was good, though. "Unakkulle Mirugam" was shot with many scenes of Ajith showing his rise to the status of a don but it was infused with graphics, resembling graphic novel style used by Guy Ritchie in his 'RocknRolla' film. Though its an interesting idea, but it was totally unnecessary and an awkward thing to do. The "Billa 2 Theme Music" is a fantastic score from Yuvan and will be remembered for its haunting mood.

There is saying which goes like this, "Too many cooks spoil the broth" This film had the story written by Chakri Toleti, Eric Felberg (creative consultant) and Sarath Mandava (assistant director) and the screenplay was written by the same trio with an additional member in another assistant, Mohammed Jaffer. So did they "spoil the broth" indeed? Actually no. They did not even cook a broth!! What these four individuals can do, is to take the script of Oliver Stone's 'Scarface' and simplify or 'Indianize' it. Except for Ajith and Yog Japee, and Ilavarasu, the rest of them, all looked like caricatures. There's no strength in the characters and most of them are shallow. The film has no spark or zing or charisma and contains plenty of loopholes and unnecessary graphic violence. They should have realized that the film has grown from just a mere attraction of Ajith, to the intriguing factor of David Billa. Being a prequel, this film should have addressed how David Billa became the dreaded mafia of the underworld. Instead, we were just shown snippets of some photographs and the process of few dozens of shootings and man-slaughterings by Billa to raise his stake. There's no connectivity between the audience and the characters and no one understands why Billa is the kind of a person he is, which is what the main aim of a prequel should be! Instead we only get to see gun shots, bomb blasts, people dying and hot gals prancing around. The sad fact is that, the movie did not even evoke 5% of satisfaction which you get by watching the trailers. If there is any relief for the fans, it is the brilliant dialogues of Era.Murukan with the assistance of Mohammed Jaffer. The film is replete with stunning dialogues for Ajith and when he utters them, the effect manifolds. 

Conclusion: Billa 2 - HUGE DISAPPOINTMENT.......


Ratings: 2/5 STARS

BY:TAMIL