Showing posts with label Sathya. Show all posts
Showing posts with label Sathya. Show all posts

AMARA KAAVIYAM MOVIE REVIEW

Love - the only theme which our Tamizh cinema directors will never get bored of dwelling in. And what a beautiful title, especially when the film is set in the 1980s' era ! 'Amara Kaaviyam' has been making the right noise, due to it being actor Arya's film, under his own production of The Show People. Jeeva Sankar of 'Naan' fame directs this second film of his career and feature's Arya's brother, Sathya in the lead role, alongside Malayalam heroine Miya George, who makes her Tamizh debut. With M.Ghibran's critically well-received musical score, can this flick attain 'immortality status, in the annal of Tamizh cinema ?

Sathya, who's debut 'Kadhal 2 Kalyanam' is still yet to see the daylights, makes a good impression and has shown improvement in regards to performance. He looks confident, has a good screen presence and composure in dialogue deliveries. He performs well in the action sequences too and with better directors and script, he can definitely become a talent to watch out for. Debutante Miya George, looks super confident, thanks to her experience in doing Malayalam films. She has what it takes to be a very good actress and has a very sweet and pleasing screen presence. Her next choices of film roles, can dictate her place in Tamizh cinema. Wishing these two youngsters a great career ! The rest of the cast such as Ananth Nag, Thambi Ramaiah, Arul Jothi, Vaidyanathan, Elizabeth, Rindhu Ravi, Sudeepa and etc were apt choices for their realistic and earthbound performances. 

The film has very good production values and quality technical outputs from the technical crew. V.Sai's costume designing was apt, and is in adherence of the social, geographical and time period elements of Ooty and Kodaikanal areas. Om Prakash's action choreography suits Sathya's physical built and the fight sequences were realistically shot and executed. The second half fight sequence, shot in slow-motion is a highlight of it. V.Selvakumar's art direction is a big plus for the film's production values. The set properties, be it from vehicles, to furniture, household items and even grocery items were well set up and established the 1980's era, perfectly. Kudos to him ! Editing by Suriya, complements the pace and narrative style of the director and all the cuts are very smooth and doesn't create any jarring effect. Jeeva Sankar handles the cinematography himself, and the cameraman in him has excelled to the core ! Visuals played an important role in the film and it carries the movie forward. The beautiful locations of Ooty and Kodaikanal were magnificently captured by Jeeva Sankar and the watercolor like tone gives the film a misty/dreamy and almost ethereal look, throughout the film. Jeeva Sankar definitely keeps up the reputation as an assistant of the late Jeeva.

Its definitely not an overstatement, if one says that M.Ghibran's musical score is the soul of the film. His songs complemented the script's style and all songs are appropriately placed in the screenplay. The peppy "Saridhaana" is the introductory song of all the main leads and has more montages of Sathya, in establishing his role as a school-going teenager. "Edhedho Ennam" is the first melody shot on the lead pair and has plenty of montages, with some of them having beautiful landscapes, as backdrops of the song. The hill station effect was very well brought out, especially. "Deva Devadhai" is a rather intimate melody and was shot indoors completely and has plenty of reaction shots from the lead pair, which was well cut by Suriya. The haunting melody, "Mounam Pesum" sung by the legendary K.S Chitra, also has montages of the lead pair, temporarily staying away from each other, due to a decision taken by themselves. Though the song has an interestingly tricky situation as its backbone, the love feel was very well conveyed. "Thaagam Theere" is a pathos song, and has montages of the lead pair living separate lives, away from each other. M.Ghibran's background score certainly upraises the mood and impact of the scenes and some portions will definitely strike a chord with the audience, for the soothing background score from him. Another feather in the cap for M.Ghibran !

This film will definitely remind us of the classic 1980's film 'Panneer Pushpangal', directed by Santhana Bharathi and P.Vasu, (not to forget the beautiful songs by 'Isaignani' Ilaiyaraaja) due to the geographical aspect of an Ooty hill station location and the theme of high school romance. Juvenile love story is a tricky element to tackle, a wrong approach of the theme, will end up with the filmmakers sending out a wrong message. Jeeva Sankar, handled his subject decently and has come up with good characterization for all the artistes, but the intensity of an infatuation turned love feeling, among the young teenagers is just missing in 'Amara Kaaviyam'. Jeeva Sankar tries to sink in the love mood and feel of it, with slow-motion reaction shots and a very langoriously paced screenplay. But the dramatic moments are often brushed off so casually and almost, most of the scenes are underplayed. Though its applaudable, that the characters are portrayed realistically, not every single individual is going to be very practical in their approach to the issues and dilemmas, affecting them. Also, the non-linear approach with the story-telling doesn't really make sense, especially when you give away the end of the climax, right at the interval point. There are some minor loopholes in the film's screenplay and though the climax portion is touted to based on an real life incident, which took place in Tanjore, it does send a wrong message and the almost glorification of such juvenile act of love, is totally unjustified. Nevertheless, the film is an decent attempt and hope it becomes a good platform for those involved, to enhance their careers in Tamizh cinema.

'Amara Kaaviyam' ? - Nah, not really. No way, it'll be one !


Ratings: 2.75/5 STARS

BY:TAMIL

PUTHAGAM MOVIE REVIEW

Vijay Adiraj, a veteran of television shows and drama serials, makes his splash on the big screen as a director, with a script which was borne out of an idea, he came across 14 years back ! He goes for the safer route by employing a very young and new cast, aided by veteran character artistes and good technicians. Touted to be a smart thriller, did this 'Puthagam' made us turn its pages, in excitement ?

Starting off with the lead, actor Sathya, the younger brother of Arya, finally makes his screen debut through this film. He passes muster with a decent performance, though there are evident sequences in the film, where he tries to ape his more-popular brother. With more experience, Sathya can climb up the ladder, but definitely he has a lot to catch up, especially in the emoting and dialogue delivery. The pretty Rakul Preet Singh, makes her debut as a leading lady in Tamizh cinema, after her small role, in the decent, gritty thriller, 'Thadaiyara Thaakka'. She looks more comfortable in her role and got her lip sync (dubbing done by Renuka Kathir) right, but her final output needs more conviction. Sanjay Barathi (the son of actor-director, Santhana Barathi) and Vignesh of 'Kadhalil Sodhapuvadhu Eppadi' fame, delivered sincere and honest performances. Jagapathi Babu was nonchalant in his role as the cool private detective, and aided by a less-convincing Rachana Maurya. There's a big gang of seasoned artistes such as Suresh, Aishwarya Rajesh, Manobala, Santhana Barathi, 'Thalaivasal' Vijay, 'Crazy' Mohan, Delhi Ganesh, Uma Padhmanabhan, Fathima Babu, MJ Shriram and etc, enacting important and minor roles in the film. All of them lived up to the expectations and most of them would have just cruised in their roles, with ease.

The film carries decent work on the technical front. Gita Gurappa's audiography was spot on. Dhilip Subbarayan choreographed decent stunt sequences, which suited the characters performing those sequences, be it the nervy Sathya or the composed Jagapathi Babu. G.K's art direction was simple and neat. His detailing for the bachelors' apartment, the middle-class home interior, club settings, television channel office suits, everything was just fine and good enough for the script. Kevin's editing was flawless and he made sure that the progression from one scene to the other, was smooth. One person, who must be credited for making the film look colorful, is the cinematographer, J.Laxman. He has brought out the colorful and fun-loving life of the youngsters and at the same, maintained a dark-look theme for the more serious portions. Also, he has portrayed Rakul in a very pretty manner, through his lenses. His camera-movements, especially for the action sequences are noteworthy. 


James Vasanthan's music was passable, but not good enough to hold our attentions, thoroughly. "Kondaadathaan", is a typical youngster's opening song, which had quite a few cut-shots and picturized in theme parks and a few Chennai landmarks. "Mella Pookudhe", is a typical James Vasanthan melody, which was picturized on the lead pair, romancing around a majestic looking building, in Thailand. Rakul was looking pretty in the sarees, which were designed by S.Subbarao. "Italica" is a dull and lame club song, shot with the item girl Rachana, performing in typical, night-club settings, which had decent lighting. "Say That You Love Me" was shot on the sandy and picturesque beaches of Pattaya, Thailand on the main lead artistes of the film. The final song, "Money is Funny" was shot in a music-video style, picturized on all the artistes involved in the film, with a stage and LED-screen as its backdrop, showing currencies of various countries. The song appears during the end-credits and has also some bloopers, inserted in it. The background score was a tad decent enough for the film.
 

Vijay Adiraj's intention was to make a taut and neat thriller. Though the intention was honest, the execution was far from being flawless. A thriller needs to be engaging and be crisp in the length of the film. But 'Puthagam' drags a lot in the first half, which makes us wonder, where is the film heading to. The suspense and thrills only begin just before interval, making us to endure all the unnecessary comedy and sentimental portions, which looked more suited for a normal television serial. Though Guhan Sreenivasan's dialogues are quirky and smart in some portions, the film had plenty of lengthy dialogue sequences, which extends the duration of the film, even longer. A knock-on effect of being a veteran of the television circle, Vijay ? Though it was cheeky of Vijay to add a small twist in the end, the audiences could have already lost interest in the film, due to its uninteresting narration. The final twist does hint us of a potentially exciting sequel, but the question of will it be worthy or not, depends on the improvisation skills of Vijay.

'Puthagam' - A flawed attempt in making a racy, crispy and taut, commercial thriller.


Ratings: 2/5 STARS

BY:TAMIL

MUGAMOODI MOVIE REVIEW

After false alarms such as 'Kandhaswamy' and 'Velayudham', finally we have an authentic super hero film made in Tamizh cinema, keeping in mind of the Indian sensibilities and milieu. An ambitious project from Mysskin, this UTV backed film was supposedly meant for Suriya who had to pull out from this project and finally Jiiva stepped into the project and became Tamizh cinema's first super hero. "With great powers, comes great responsibilities". The responsibility is even greater for the director who is going to direct the super hero who has those great responsibilities. Did Mysskin live up to the expectations because he has a very good proven track record and considered to be one of the intense and detailed film director in Tamizh cinema, among the current young and established directors.

Coming to the performance, Jiiva has really done well for the role. Though he has been trained in martial arts before, he took this role seriously and the pain of undergoing intense training was evident in the performance while executing the complex martial arts moves. His dialogue delivery too was very appropriate and facial expressions were spot on. With more serious films under the baton of experienced and talented directors, he will definitely be one among the best of actors in Tamizh cinema. Another flawless acting from Jiiva ! Its been sometime since we saw Narain in the silver screen, and its commendable for him to step out of the conventional roles and do a negative character or precisely the villain. He has given his best, did what Mysskin told him to do so and has worked really well to buff up his physique and also to undergo months of martial arts training. His looks too was very intimidating but his performance in the second half was very questionable. Probably, Mysskin should answer why he asked Narain to perform as such. Pooja Hegde, a second runner-up winner of Miss Universe India 2010, makes her debut through this film. She looks pretty but lesser make up should make her look better. Acting wise, she was just okay. Nassar plays a an important role as the police officer who is on the hunt and he was in his usual best. Flawless and perfect ! Selvaah, makes his appearance as the master of Jiiva, and he has a beautiful role to perform. Kudos to him as well for taking the pains to train for this role. His emotional expressions were subtle, yet strong. The rest of the cast such as Girish Karnad, Naren, Anupama Kumar, Murugados, Sivaraj, Amalados, Darshan and etc does what was taught to them by Mysskin.

'Mugamoodi' has the best of resources with UTV backing it and certainly Mysskin extracted what can be extracted from them. For the costume of 'Mugamoodi' the super hero, it was designed by one called Gaebriella Wilkins, a costume designer for distinguished production units such as Disneyland Hong Kong and Cirque Du Soleil. She has done a good job with the mask especially, considering the fact, the costume was made out of five materials only. Besides her, Amritha Ram the costume designer has done a decent job with the usual clothing of the characters. The costumes of Jiiva and Pooja Hegde for the songs were simple, yet elegant. And not to forget, the costume for the antagonist, Narain.  Radhika, has done well with the choreography section, incorporating some of Mysskin's quirky dance moves. Tapas Nayak, has done good work with the sound designing, especially for the chasing scenes and the night sequences and not to forget, the action sequences. Balasubramaniam, has done a decent job with the art work, especially the hospital set and the room of the Girish Karnad, with all the gadgetry and also the bar setup as well. Gaugin, could have done better with the editing because the second half was quite slow and many scenes which was required, was deleted by him. Cinematography by Sathya was good, with the regular wide-angle shots and lengthy shots, which are a must for a Mysskin film. The night effect shots were well done too, with apt lighting, capturing the moods very well. The highlight of the movie is definitely the stunt choreography and hats off to Tony Leung Siu-hung, an acclaimed expert in Wing Chun - a close-combat form popularized by the legendary Bruce Lee. Tony has had sparring moments with the legend himself, and ironically Wing Chun was developed by Ip Man, the master of Bruce Lee, of whom a feature film was made of, and Tony was the stunts choreographer for that film ! He has trained the artistes very well and with the additional support of 'Action' Prakash, each stunt sequences were unique, realistic and powerful. One of the best action sequences to come out in Tamizh cinema !

Music by K was really good. There are only three songs in the film and it starts off with the "Bar Anthem", a typical Mysskin film song with foot-tapping beats and dance movements, this song was shot in a simple bar setup and had good lighting by Sathya. The pick of the album, "Vaaya Moodi Summa Iruda" was shot in Switzerland, in lush and beautiful scenic locales. The lead pair looked lovely and had soft and fresh color tone throughout the song and "Maayavi" too was shot there in night sequences with the protagonist being the 'Mugamoodi' and the heroine, yearning for him. Though the songs were well shot, its a head-scratching question of why the need for a foreign-location song. The theme music was riveting by K but he could have avoided the techno beats, which are awkward for a dark themed film such as this but his string section composition was brilliant. A real talent to look out for.

Mysskin starts off the movie very well with a suspenseful scene, and the Marvel-type comic book title card was cute, but all that is just secondary when it comes to the overall film. The first half of the film was good, with necessary introductions of the characters and the establishment of the super hero character. But the second half was slow and and quite amusing for the intensity built up in the first half. A couple of scenes were executed well, but the editing choice of Mysskin was not good and he should have worked with his editor in retaining the true essence of his script. In order to establish a super hero, you need to have a real, good, super villain. Narain was good, but his character suffers due to poor handling by Mysskin and by the end of the film, Narain looks like a comical villain with laughable and very fake mannerisms and dialogue delivery. With such a bad villain, your favoritism for the super hero will suffer big time, and it suffered indeed. The birth of 'Mugamoodi' was too simple and conflict goes kaput. The film was imbalanced as Mysskin tried to please all sections of audiences and his action failed big time. The film gets caught in between being dark/serious and simple/appealing. When one finishes watching it, he or she would feel disappointed because Mysskin has done brilliant works before in 'Anjaathey' and 'Yuddham Sei' and this time, its too simple, light and comical and is not hard-hitting as what he wants it to be. This could have been done purposely to attract the children, but Mysskin should know that its very, very difficult to please all of the people, at the same time and he should have used it for some other script, rather than for this. And the other main mistake by him is to etch a rather caricature-style villain who looks like a mean and menacing one, but spews silly and funny dialogues in the end.

'Mugamoodi' is good and not so good, at the same time. Its good, for being a proper super hero film within the Tamizh sensibilities and for its superior technical works. Its not so good because Mysskin's script lacks the raciness and excitement and we have watched better works from him, in the form of his own earlier films. Low intensity, low excitement, slow presentation, 'Mugamoodi' could and should have been better than this.


Ratings: 3/5 STARS

BY:TAMIL