After the critically-acclaimed dark and morbid ' Onaayum Aattukkuttiyum', director Mysskin is back and intriguingly, he has chose horror as his next genre. Being an atheist and joining hands with fellow hard-hitting director Bala as the producer, it definitely piques the interest of Tamizh audience. Produced under Bala's B Studios, can Mysskin pull of another brilliant piece of work ?
Naga, an assistant director of Bala, makes his debut as an actor and he excels in his role. The hard work he put in, for learning the violin-playing techniques, paid of well. Though his characterization reminds us of Prasanna's character from 'Anjaathey', Naga commands a good screen presence and hope he chooses proper scripts which can elevate his status in Tamizh industry. Debutante actress Prayaga Martin, looks angelic as herself, but unfortunately she's the purported "pisaasu" of the film and is seen only in her make-up. Kudos for the arduous and grueling task she had to go through. Hope this charming lass becomes a household name in Tamizh cinema. Radha Ravi's performance was an absolute screamer and the veteran literally stole the show, in those emotional scenes ! Hope we get to see more of such performances from this ace character artiste. Harish Uthaman, Kani Kusruti, Kalyani Natarajan, Arnold, John, Om Selva, Bala and etc make up for the rest of the cast and they ably supported the main leads.
On the technical front, 'Pisaasu' is definitely top-notch and Mysskin has extracted wonderful work from his technicians. The action scene choreographed by Mysskin himself with additional output from Tony Leung Siu-hung, was brilliantly staged and beautifully picturized. It's very realistic and raw, but relevant to the nature of the scene. Gopinath's editing was in tandem with Mysskin's style of story presentation. The film's pace and flow was very apt for Mysskin's style and the duration of the film was kept in check. The sharp cuts for the sequences involving the ghost, made the trick, in spooking or freaking us out at the most unexpected of times. Art direction is handled by Jayashree Lakshminarayanan, and the all important protagonist's apartment setup was aesthetically done. The plenty of space in the apartment complemented Mysskin's wide-angle type scenes. Cinematography by Ravi Roy was excellent, especially with all the wide-angle shots, low-angle shots, long shots, slow-motion technique, static camera and the usage of GoPro camera, were very creatively used and re-establishes Mysskin's own style of scene presentation. The lighting was very well taken care, and its important for such scripts, especially when you involve the horror element. The way some scenes were framed, asked for our undivided attention ! Equally impressive was Arrol Corelli's background score. The solo song, "Nadhi Pogum" sung by Uthra Unnikrishnan, was shot on the protagonist, who plays a pathos piece on his violin, and surrounded by beggars and physically-challenged. The subway shots were very well framed and the song catches our attention, with its sad mood. Arrol Corelli's background score is heavy in violin-based re-recording and it serves like an ode to 'Isaignani' Ilaiyaraaja. The heavy tone delivers the right mood and apt depth for the emotional sequences, as well as for the hair-raising moments. Certainly a talent to look out for !
What makes Mysskin's 'Pisaasu' stand out from the regular horror films, is the innovative story-line and the emotional hook, which is the surprise package. Mysskin's compelling presentation, his visual sense, the gripping scene development, everything screams brand "MYSSKIN". The various camera angles associated with his films like the wide-angle, low-angle, static camera, frozen shots and in 'Pisaasu', the usage of GoPro camera, worked out tremendously well for the film. The element of colors as the point of focus, too was very obvious with 'Pisaasu'. Even comedy was very well handled in the film, and its great to watch how Mysskin intertwined humor and scare factor into a single scene, in his own style. The only potential low-point of the film, would be the weak emotional bonding in the "romance" portion. There is no affirmative scene which establishes the importance or reason for the love to be present in the first place. 'Pisaasu' proves that Mysskin has grown into or developed into an extraordinary filmmaker, with his own stamp of film-making style (scene visualization and thematic elements), if you compare it with his earlier films. This uncompromising way of scripting and presenting a film, deserves a big round of applause.
'Pisaasu' - Simple, yet terrifyingly scripted and executed.
Ratings: 3.25/5 STARS
BY:TAMIL
The evergreen song from 'Punnagai Mannan' has its title borrowed for this film featuring a quadruplets for the first time in Indian cinema ! Besides that we have popular director & elder brother of 'Jayam' Ravi, 'Jayam' M.Raja making his acting debut alongside with Maanu, of 'Kadhal Mannan' fame. So, what is this film about and will it catch the attention of audience ?
'Jayam' M.Raja and Maanu has very less screen timing and their importance of their role is a big question mark. Both of them appears to have poorly written roles and M.Raja managed to somehow pass through thanks to the director in him. Maanu is just there for the sake of it. Nithin Sathya's role was such a poorly written characterization, it just irritates us the moment we see him on screen ! Sorry dude, but that's the sour truth. Debutante Malavika Wales, looks confident in her role and has a good screen presence, due to her experience in the Malayalam film industry. The quadruplets of V.Aditi, V.Aakriti, V.Akshiti, & V.Aapti looks very identical and performs cutely, but why they were limited to being deaf & dumb is another big question mark. Some of the other artistes who appear in the film are Manobala, Sivashankar Master, Immanuel Annachi, Vaiyapuri, Swaminathan, Puralavan and etc.
Sai Naresh's costume work was very functional and it fits the story, since the the script's story takes place in a single day. Rajesh Kanna's action choreography also was more functional and there are no fight scenes, actually. Art direction is taken care by Suresh Kallery and his work for the properties of the interiors of the female characters' homes, were spot on. Also, the office set was well propped too, alongside the entrance set-up of the depicted zoological park. Editing is taken care of by veteran V.T Vijayan and T.S Jay and their cuts has no gimmicks whatsoever and the veteran has kept the duration of the film, very short. Sanjay B.Lokanath's camerawork sufficed the needs of the script. The shots on animals were good, but apart from that everything else looks normal. Naga takes care of music and only one song appears in the film, titled "Vizhiyaal", which was shot on the kids and their adventures in the zoo.
Now, this film's content has no relevance at all to its beautiful title, but what irks us the most is the below-par standard of the script and its making ! The film is about a dangerous monstrous snake, which is on the loose in the national zoo and the quadruplets who are stuck in the zoo ! The idea might sound good, but the attempt was worse than amateurish, especially with the screenplay and the characterizations. There's no logic, no continuity, no maturity and no attempt to convince us at all, with the script. The cute quadruplets have nothing to do, except for the climax and the whole film is filled with unwarranted sequences and elements. The helpless police officer, the idiotic news reporter, the unintentionally funny minister, and etc adds more discontentment to the audience ! John Mahendran's dialogues, especially for the comedy portions involving Vaiyapuri and Immanuel Annachi are okay but apart from that, the rest are just below average. Hope Guru Ramesh comes up with a story & screenplay and direct it, the next time !
'Enna Satham Indha Neram' - Nothing said is much better than less said !
Ratings: 1.25/5 STARS
BY:TAMIL
