From a relatively new team, 'Yaaruda Mahesh' earned some brownie points with the youngster's for its naughty and cheeky trailer. Judging by the adverts, this film clearly indicates that it is strictly only for adults, as it contains plenty of adult jokes. A rarity in Tamizh cinema indeed, but it is worth fulfilling the vacant place of a proper and enjoyable adult film ?
The lead roles are done by relatively newcomers, Sundeep Kishan and Dimple Chopade. Sundeep, who did a role in 'Maranthen Mannithen', just passes muster with his role, of an irresponsible and good-for-nothing sort of hero. As for the heroine, Dimple was just adequate and is another addition to the various new-coming glam dolls of Tamizh cinema. The only person who actually catches your attention throughout the film is Jagan. He carries the film on his shoulders, and his humorous with his funny one-liners, dialogue delivery and body language. He definitely keeps us in splits with his near-perfect timing ! The film has a host of character artistes such as Livingston, Vijay, Srinath, Uma Padhmanabhan, Swaminathan, Singamuthu, Nellai Siva, Venkat Sundar and etc, who were functional.
The film's technical works were adequate as well and have worked well, within the shoe-string budget allocated to them. Sathya N.J's costume designing was spot on, making all the characters to look lively and colorful, which was a necessity for the script, as the characters were suppose to be loud. Vanaraj's art designing was simple but cool. His interiors for the posh bungalow house sets and also the simple bar and street sets were, well brought out. Sathya Narayanan's editing was smooth and crispy, but he should have chopped off many sequences which were inconsequential to the overall script and storyline. Raana's cinematography was adequate as and very much functional, but his work for some of the songs are noteworthy.
Malayalam composer Gopi Sundar, takes care of the music score. His tracks were pretty lukewarm and uninteresting to listen to. "Odum Unakithu" was a loud, item song, featuring Sana Oberoi. The bright lighting and the clean bar set-up was cool on the eyes. "Pudhu Paarvai" was a duet, picturized on the lead pair, romancing in top hillside areas, and Raana's soft color tone, worked well for the song, as his framing and angles were just nice for the song. "Vayadhai Keduthu" is a sensuous situational song, where the lead pair gets into some steamy actions. Dimple Chopade shows no inhibitions in shedding her clothes and the lighting and camera movements, together with efficient editing, was very professionally done. The modern bedroom set work complemented the song's mood, as well. "Yemathitta" was a loud and boring song, shot on Sundeep and Jagan dancing in a bar set-up. Vanaraj's props for the street set, was spot on, with good detailing. "Yaaruda Mahesh" was shot on the lead pair and was done like a music video, with very smooth editing and lighting for the picturization, which had a warehouse like background. The background score was too loud, which should have been toned down.
Written and directed by debutante, R.Madhan Kumar, 'Yaaruda Mahesh' does not live up to the mild expectations it evoked through its trailer. The jokes and gags, which were sexually suggestive in nature, is there but the second half of the film is littered with unnecessary comedy sequences and songs as well ! The film does not get any direction, until late into the second half. Most of the jokes of the character artistes, fall flat except for Jagan's. Unfortunately, his one-liners alone will not be sufficient enough for the audiences to go through this ordeal. The film carries no logic progression in its screenplay and the climax was a big let-down. A well plotted screenplay, with strong story presentation could have done mini-wonders, to the film ! A sincerest advice to the director: Youths do lap up for adult contents but that alone will not fixate them to a film, for its entire duration (unless its a plain, simple porno) !
'Yaaruda Mahesh' - Disappointing adult comedy film.
Ratings: 2/5 STARS
BY:TAMIL
One of the eagerly anticipated films, 'Kanna Laddu Thinna Aasaiyaa' promised loads of fun and humorous moments with Santhanam and most importantly, 'Powerstar' Dr S.Srinivasan making his debut in a properly taken cinema, instead of the poorly executed low-budget films. Armed with nothing but good comedy writers and able technicians, this film is the maiden production venture of Santhanam, who has also roped in veteran Rama Narayanan to co-produce it. It is instead a major coup by Santhanam to rope in 'Powerstar' and certainly looks like a safe bet.
Santhanam, plunges into the lead role after a long time, and though it is his own production, it is commendable of him to give ample space and scope for his fellow 'musketeers' to perform and earn applause. Nevertheless, Santhanam still brings the roof down with his excellent punch lines and humorous antics and facial expressions. The comfort level of acting in his own production, enabled Santhanam to be at ease and he performs to his best. The sequence where he delivers his love letter to the heroine and the aftermath expressions are too hilarious and evokes rip-roaring laughter from the audiences ! However, it is 'Powerstar' Dr.S.Srinivasan, who steals the show with his unpretentious comedic acts. What works for the film is that, 'Powerstar' was allowed to do comedy and he allowed others to make fun of him, which makes the proceedings to have a spoof like-effect. Anyways, it was him who took the most cheers and screams from the fans !! Newcomer Sethu was not bad and debutante Vishakha Singh was expressive and passes the test. The Santhanam-'Powerstar' duo was ably assisted by the rest of the cast such as 'VTV' Ganesh, Kovai Sarala, Sivashankar Master , 'Pattimandram' Raja, Devadharshini and Vanitha Krishna Chandira. The cameo appearances of Gautham Vasudev Menon, Silambarasan, cinematographer Balasubramaniem, and stunt choreographer Silva, adds sheen to the film.
Though it was meant to be a moderately budgeted film, 'Kanna Laddu Thinna Aasaiyaa' carries notable production values. Karishma Shroff's costume designing was very apt and matched perfectly with the settings and characterizations of each artistes. A.Vanaraj's simple set-work for songs were well done and also for filling up the typical Kumbakonam house and other live locations, with appropriate props. Silva's stunt work was adequate and decent enough for a comedy caper like this film. G.Ramarao's editing was smooth and crisp. Balasubramaniem is a big strength to the film. His cinematography adds a glossy and rich look to the film. His lighting for the night scenes, along with good angle choices, adds to the cheerfulness element of the film. Good job, Balu !!
Thaman's music was foot-tapping and almost all songs were decently done. The opening "Aasaiye Alaipole" was shot in live locations with adequate props and good lighting work by cinematographer Balasubramaniem. Balu captured the Kumbakonam streets and township effectively, with his camera. "Ye Unnethaan" is a colorful song, with simple but decent set work by A.Vanaraj and again Balu's cinematography, gave the song a glossy look, especially with the lighting. The "Love Letter" song is a situational song, shot within a typical Kumbakonam mansion house and features Santhanam in his rip-roaring element, together with the heroine, Vishakha Singh. "Potti" song is another situational song, which was funny and kept short. The "Birthday" song was shot within temple locations with plenty of props, which matched the birthday celebration theme. The final "Duet Song" appears during the end credits, showcasing a wedding scenario, which again looked glossy thanks to Balu's lighting. Thaman's background score was adequate and carries his trademark synthesized, violin pieces.
K.S Manikandan's directorial debut makes no mistake in stamping its stance and promise of being a 'laughathon' and fun-filled ride. The writers of the film made no bones about it and delivered their promise to great extent. Though the film carries an uncanny resemblance to K.Bhagyaraj's classic 'Indru Poi Naalai Vaa', the film was made keeping today's youngsters and Santhanam and 'Powestar's presence was effectively used. The natural performances of the acting crew adds to the fun quotient of the film and there are plenty of rip-roaring sequences inserted throughout the duration of the film. Also, the excellently written punch dialogues uttered by Santhanam are a scream and the film is replete with them ! Story wise, there is nothing to expect, but no one really gives a damn about the story and tirelessly waits for the next bone-tickling sequence. The second half of the film hit a slow-pace mode but was compensated with the funny antics of the artistes.
'Kanna Laddu Thinna Aasaiye' delivered what it has promised and not more or less than what was intended to be. A thorough and jolly-good entertainer for the viewers !
Ratings: 2.5/5 STARS
BY:TAMIL
