Thirrupathi Brothers's N.Lingusamy and N.Subash Chandra Bose have joined hands with actor/director Manobala in producing and releasing debutante H.Vinoth's 'Sathuranka Vettai'. Thirrupathi Brothers are on the roll with back-to-back hits with their distribution and by taking up this project, it has raised the eyebrows of many. What does this intriguing project holds for us and can H.Vinoth make a name for himself ?
Casting for this film is just perfect and the choice of ace Bollywood hot-shot cinematographer Natrajan Subramaniam alias Natty, was a brilliant stroke. He is just so apt and terrific with his screen presence and dialogue delivery and though he is not the conventional hero material, he keeps us glued to the film, with a very good performance. His body language was perfect, he could still improvise on his facial expressions but still, it was a great performance from him. The rest of the cast such as heroine Ishaara Nair, Ilavarasu, Ponvannan, Piraisoodan, Valavan, Dharani, Ramachandran Durairaj, Senthi, Vetri, Sathya, Veedu Sureshkumar and etc were perfect choices for their role and each of them made their marks in their given screen timing. Kudos to the director for the apt casting !
Rangasaamy takes care of the costume designing, and he has done a really good job with the limited budget and has taken care of the detailing for each episodes present in the film and the characters involved in each respective episodes. Jayagar Viswanathan's action choreography was functional and there were no elaborate stunt seqeunces in the film. Art direction is by K.Kathir and his work is commendable as well, especially for the multi-level marketing scheme sequence, which has some elaborate designing and set work and also for his detailing in set properties for each episodes. S.P Raja Sethupathy's editing was good in portions and his slick editing for the intense scenes were good, but he could have worked better in the transitioning from one episode to another, in which there was a sense of rush in the cuts. Cinematography is by K.G Venkatesh and his camera work was top-notch, especially for his top-angle & long trolley shots. Do check out the after court scene of Natty before the interval !
Sean Roldan's music is a big plus to the movie and the musical score brings the story forward in many moments. "Porape Nadape" is the only choreographed song, which was fully shot in a bar cum pub like atmosphere, which had a colorful set work by K.Kathir and lighting by K.G Venkatesh. "Kadhala Kadhala" is a bit song which was shot based on the heroine's moment of falling in love, and was a situational song. "Munne Yen" is a montage song, shot on the lead pair and showcased a new chapter in the lead pair's lives and their hardships in a rustic village. Sean Roldan's background score was unique as well and he shows his quirkiness with different and creative sounds for each episodes and shows his prowess in melancholic scores, as well.
A former associate of Vijay Milton, H.Vinoth's 'Sathuranka Vettai' is an interesting Indianized con-movie, with a touch of black humor. The film is interestingly structured in six different episodes and each of them are funnily titled. Each episodes are apparently based on real life scams, which took place in Tamil Nadu and H.Vinoth deserves applause for his homework done, in coming up with a neat plan and how each cons were staged. But, only the last con really stood out for its outrageous audacity taken by the protagonist and the panache in execution of the con. The rest were quite simple and was too easy too fall for, though some were brilliant schemes ! H.Vinoth's taut screenplay doesn't waste any time, apart from the songs and some melodramatic, sentimental moments but the intensity and seriousness involved in such con movies are missing here. Nevertheless, H.Vinoth's dialogues are fantastic and seeps in sarcasm and wittiness and reminds us of the Manivannan of 'Amaithi Padai' days. H.Vinoth, is definitely a talent to watch out for and with more maturity in script handling, he could reap great rewards in Tamizh cinema !
'Sathuranka Vettai' - A pretty cool movie, which could have been much deadlier !
Ratings: 2.75/5 STARS
BY:TAMIL
Casting for this film is just perfect and the choice of ace Bollywood hot-shot cinematographer Natrajan Subramaniam alias Natty, was a brilliant stroke. He is just so apt and terrific with his screen presence and dialogue delivery and though he is not the conventional hero material, he keeps us glued to the film, with a very good performance. His body language was perfect, he could still improvise on his facial expressions but still, it was a great performance from him. The rest of the cast such as heroine Ishaara Nair, Ilavarasu, Ponvannan, Piraisoodan, Valavan, Dharani, Ramachandran Durairaj, Senthi, Vetri, Sathya, Veedu Sureshkumar and etc were perfect choices for their role and each of them made their marks in their given screen timing. Kudos to the director for the apt casting !
Rangasaamy takes care of the costume designing, and he has done a really good job with the limited budget and has taken care of the detailing for each episodes present in the film and the characters involved in each respective episodes. Jayagar Viswanathan's action choreography was functional and there were no elaborate stunt seqeunces in the film. Art direction is by K.Kathir and his work is commendable as well, especially for the multi-level marketing scheme sequence, which has some elaborate designing and set work and also for his detailing in set properties for each episodes. S.P Raja Sethupathy's editing was good in portions and his slick editing for the intense scenes were good, but he could have worked better in the transitioning from one episode to another, in which there was a sense of rush in the cuts. Cinematography is by K.G Venkatesh and his camera work was top-notch, especially for his top-angle & long trolley shots. Do check out the after court scene of Natty before the interval !
Sean Roldan's music is a big plus to the movie and the musical score brings the story forward in many moments. "Porape Nadape" is the only choreographed song, which was fully shot in a bar cum pub like atmosphere, which had a colorful set work by K.Kathir and lighting by K.G Venkatesh. "Kadhala Kadhala" is a bit song which was shot based on the heroine's moment of falling in love, and was a situational song. "Munne Yen" is a montage song, shot on the lead pair and showcased a new chapter in the lead pair's lives and their hardships in a rustic village. Sean Roldan's background score was unique as well and he shows his quirkiness with different and creative sounds for each episodes and shows his prowess in melancholic scores, as well.
A former associate of Vijay Milton, H.Vinoth's 'Sathuranka Vettai' is an interesting Indianized con-movie, with a touch of black humor. The film is interestingly structured in six different episodes and each of them are funnily titled. Each episodes are apparently based on real life scams, which took place in Tamil Nadu and H.Vinoth deserves applause for his homework done, in coming up with a neat plan and how each cons were staged. But, only the last con really stood out for its outrageous audacity taken by the protagonist and the panache in execution of the con. The rest were quite simple and was too easy too fall for, though some were brilliant schemes ! H.Vinoth's taut screenplay doesn't waste any time, apart from the songs and some melodramatic, sentimental moments but the intensity and seriousness involved in such con movies are missing here. Nevertheless, H.Vinoth's dialogues are fantastic and seeps in sarcasm and wittiness and reminds us of the Manivannan of 'Amaithi Padai' days. H.Vinoth, is definitely a talent to watch out for and with more maturity in script handling, he could reap great rewards in Tamizh cinema !
'Sathuranka Vettai' - A pretty cool movie, which could have been much deadlier !
Ratings: 2.75/5 STARS
BY:TAMIL
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