ARRAMBAM MOVIE REVIEW

After the colossal flop of 'Billa 2', Ajith Kumar aka "Thala" is back once again, and this time in a true multi-starrer, with Vishnuvardhan at the helm. The stylish 'Billa' remake still linger in the minds of movie buffs, and its a tricky tight-rope for this combo, as they have to ensure the hype is met and at the same time re-launch the career of hit-maker A.M Rathnam as a producer in Tamizh cinema once again. Backed by good technicians and a solid cast, what does 'Arrambam' has for us ?

For "Thala" Ajith Kumar, this is a piece-of-cake sort of role, and he waltzes through it with style and elan. His impeccable timing in dialogue delivery, broods excitement and adds more classy touches to his performance. His look is an added element, which further elevates his stylish avatar as AK. The man, pulled off all the stunt sequences by himself, in a very professional manner and deserves a big round of applause for taking the risk. There are plenty of shots, which highlights the stylish element of Ajith's and it is a treat for his die-hard fans. Though the grey-shaded role is repetitive, no one actually bothers about it, as Ajith is enjoyable in such roles. Arya is lively with his comic timing and his antics and a little surprise is there in store, in regards to his appearance. Though his role pales in terms of screen appearance, he still makes his mark. Nayanthara is the stylish diva here and she pulls of some action sequences effervescently, and also manages to oomph the glamour quotient, nonchalantly. Taapsee Pannu was cute as the naive amateur journalist, though her character has not much relevance to the script. Kishore rocks as the tough cop, while Mahesh Manjrekar is a good addition to Tamizh cinema. Atul Kulkarni, Suman Ranganathan, Akshara Gowda, Naren, Murali Sharma, Krishna and etc had stylish rendering in their characterizations. Not to forget, Rana Daggubati made his official entry to Tamizh cinema with a solid cameo appearances.

Action choreography is a real highlight of the film, and there were plenty of them, induced into the screenplay. 'Billa' Jagan, Lee Whittaker and Kecha Khampakdee of the 'Jaika Stunt' team, rocked in the action choreography. The bomb-threat encounter scenes were very professionally choreographed and executed by the team. And the shoot-out sequence shot in a warehouse, was very well planned as well. Anu Vardhan and Pinida P.Shamdasani's costume designing was fantastic and all characters looked brilliant in the stylish costumes, especially Ajith Kumar, Nayanthara and Taapsee. Production design by Lalgudi N.Ilayaraja blends well with the script's needs and was very realistic. The interiors of apartments and buildings were very well detailed and each props complements the mood and plot setting of the script. Multiple National Award-winning editor, the veteran Sreekar Prasad's editing is taut and he manages to tighten the grip on the screenplay, by ensuring there's no over-stretched sequences. The story moves fast and kudos to the veteran for a neat work. Cinematography is big highlight of the film, done by Om Prakash with some few sequences canned by P.S Vinod. The camerawork is stylish and the aqua-green color tone, complements the mood of the script. There were plenty of hand-held shots and appropriate usages of steady-cams. The Dubai sequences were very stylishly done, but the real highlight is the bomb-threat action sequence, which was brilliantly shot and edited. 

Yuvan Shankar Raja always had a great combination with Vishnuvardhan and they have churned out chart-busters  But 'Arrambam' is a disappointment, because the tunes were repetitive and not enthusiastic enough, to further spur the energy of the script and cast. The opening song "Adada Aarambame" was shot on Ajith, accompanied by dancers, and the heavy Maharashtrian percussion instruments. The fort in Maheshwar was the backdrop, and the bright daylight adds more gloss to the song. "En Fuse Poche" was shot on Arya and Taapsee and had some cute montages, with colorful ambiance  The simple special effects complemented the mood of the song. "Melaala Vedikkuthu" was shot on Ajith, Nayanthara and Rana with splashes and splashes of Rangoli Colors, which was a visual treat in terms of color palette. "Stylish Tamizhachi" was Akshara's introduction song and featured her in a glam-doll role and was shot in a clubbing arena. Yuvan's background score is a letdown and it does not capture our attention. Not the best of works from Yuvan and Vishnu combo.

Vishnuvardhan, known for his stylish, visualistic story-telling, engrosses us most of the time in the screenplay, which was co-written by the 'Subha' duo, D.Suresh and A.N Balakrishnan. The sequences were well etched and executed and some of them very well exploited the stylish mannerisms of Ajith Kumar. Nonetheless, there were a few drag moments, especially in the second half, which could have been avoided. This is due to the very cliched flashback sequences and some sentimental and emotional ones, as well. The letdown in their script, is the predictable nature of the story-line, which kills of the excitement factor. And for ardent movie buffs, they would have spotted that the entire script is a clever adaptation of the 2001 Hollywood action-thriller 'Swordfish' starring John Travolta, Hugh Jackman, Halle Berry and Don Cheadle. Vishnu and 'Subha' duo have taken the basic plot of 'Swordfish' and adapted it with some real-life Indian scandals. There are plenty of loopholes and logical gaps in the script and screenplay, which are to be ignored if one wants to enjoy this film thoroughly. The 'Subha' duo have written some killer, punch-dialogues in the film, which will definitely be well received by the fans. Vishnuvardhan has a neat directorial touch and has good grip of his script and end-product, but still 'Arrambam' is not as gripping as his 'Pattiyal'.

"Lets make it simple" - 'Arrambam' is a Vishnuvardhan, 'masala' entertainer. Enjoyable and neat. Nothing more, nothing less.


Ratings: 3/5 STARS

BY:TAMIL