THAANDAVAM MOVIE REVIEW



The entire team behind the successful, 'Deiva Thirumagal' is back yet again, with some changes to the cast list. A.L Vijay, has penned an action script this time and he looks to be smitten by a real life personality, Daniel Kish who is an expert in echolocation and  President of World Access for the Blind, a non-profit founded in 2000 to facilitate "the self-directed achievement of people with all forms of blindness" and increase public awareness about their strengths and capabilities (Wikipedia). A.L Vijay has sketched protagonist Vikram's character, using Daniel Kish as an inspiration,  which is a unique presentation in Tamizh cinema. So, how did A.L Vijay and Vikram combine this time, amid a heavy marketing spree by the producer, UTV Motion Pictures.

As, with any A.L Vijay film, 'Thaandavam' too has a big cast and that too, a star cast ! Vikram, whose last release, 'Raajapaattai' was a washout at the box-office, comes up with a sincere and excellent performance as the intelligent and brilliant RAW officer. He has less dialogues to mouth, this lack of dialogue delivery is covered with fantastic expressions through his eyes and body language. He enacts his scenes in a very subtle and refined manner. His character looked very real and convincing and also credits to A.L Vijay for incorporating the inputs of Daniel Kish to enhance the look and attitude of the character Vikram, enacts. As usual, Vikram rocks ! Jagapathi Babu, the veteran Telugu artiste, makes his debut appearance in Tamizh cinema through 'Thaandavam' and he too notches a very composed and neat performance, though he appears sporadically during the duration of the film. Anushka, was a revelation here, with a calm and beautiful performance. A.L Vijay taps in the other side of Anushka, that is the soft and beautiful side of her acting. She shares a crackling and wonderful, matured chemistry with Vikram, though her height makes it a little obvious, that she towers above Vikram ! Plus, Deepa Venkat's dubbing for her blends in perfectly for the character played by Anushka. Amy Jackson, comes in for the 'pretty-doll' role and has done what can be expected from such roles. She should be appreciated for her near-perfect synchronization with the dubbed voice, done by Savitha, which has plenty of Tamizh dialogues, since her character has a mixed parentage of Tamizh and English. Nassar and Santhanam takes much of the remaining screen time among the big lot of character artistes, with the former in his best elements as usual, with an astute performance and the latter with his rocking comedy sense and dialogue delivery. There's a big army of supporting cast which gives the film plenty of dramas and events and nearly all of them are experienced and fantastic performers, such as Saranya Ponvannan, Lakshmi Rai, Kota Srinivasa Rao, Sayaji Shinde, M.S Bhaskar, Thambi Ramaiah, Delhi Ganesh, Sujitha and etc.

'Thaandavam' is one of the technically-better made movies, which has released in Tamizh cinema this year. The usual suspects, which are associated with A.L Vijay are here again and all of them have given very good outputs. Falguni Thakore and Devyani Kapoor scores full marks for their costume designing. Vikram, Anushka, Amy Jackson and Jagapathi Babu were looking uber-cool and stylish throughout the film. Manohar Verma handles the action scenes very well. He has done good homework in incorporating the echolocation factor in composing the stunt sequences and Vikram adjusted his body language very well. The park scene was the best of the lot. R.K Naguraj's artwork was extensive. Lots of props would have been used for the London shoots and during the New Delhi portions. Nothing extraordinary from him, but neat and nice work. Anthony's editing was flawless but he could have trimmed the movie more because of the sluggish pace of the screenplay. Nirav Shah does a splendid job in capturing the beauty of London's city landscape. His lighting comes into much appreciation for following the mood of the script and screenplay. The superb cinematographer was at his best form, as usual ! Great work by Nirav Shah in utilizing the RED Pro 5.0 camera for his cinematography !

G.V Prakash Kumar, who's combination with A.L Vijay has always been a success  delivers a neat work here, though not all songs are catchy. "Yaaradi Mohini" is the introduction song of Amy Jackson and was shot in soft lighting amidst beautiful locations of London such as Trafalgar Square, Piccadilly Circus, Big Ben, the Westminster Parliament and etc. Amy looked pretty and hot in her lovely costumes, but she struggles a little in the dancing category. "Adhigala Pookal" is a short number, mostly shot in montage sequences in New Delhi, depicting the early life of marriage-hood between Vikram and Anushka's characters and a piano theme piece of the song, appears mostly in the first half, with Vikram playing the tune in a church. "Will You Be There", is a dream song for Amy Jackson, who starts to fall for the hero, Vikram. It was shot mostly in slow-motion montage sequences, with song establishing shots on Amy Jackson. "Anicham Poovazhagi", is a colorful song with a marriage backdrop and has plethora of character artistes involved. This song is a semi-dream song, ending with the marriage between Vikram and Anushka. "Uyirin Uyire" was beautifully shot in the Dover hills under sunset and Nirav Shah used the chopper to capture the beauty of the hills and also the sand artwork utilized for the song. Anushka and Vikram were adorned with simple but beautiful costumes. The pick of the lot among all the songs is the duet, "Oru Paadhi Kadhavu". This was shot in montage sequences, showing the blossoming of love between Vikram and Anushka and is replete with scenes of sweetness and cutesiness, throughout the song which ends at the Taj Mahal. Beautiful cinematography by Nirav Shah in this song. G.V Prakash is improving in his background score and the "Shiva Thaandavam" theme is a complement for the script.

A.L Vijay's marketing technique of emphasizing echolocation as the USP of the film, was a clever move but that factor was just a gimmick, as once the film ends, viewers will realize that its after all, an average revenge flick. The plus-points in A.L Vijay's films are the sensitiveness and maturity in handling the script. But what pulls down the film is its lethargic and slow narration. For an action film, this level of pace, is unacceptable because boredom will start kicking in as the film progress into the later stages, but the director tries to salvage the attention of his audience, by including a major twist in the second half of the film. Though the twist is welcomed, the justification for the twist falls flat and is not entirely convincing. Also, there are some obvious logical flaws in the script, which are very much questionable and not thoroughly convincing. The dialogues though, are very well written and articulative.


'Thaandavam' is a film with high in standards, when it comes to technical quality and also with good performance from the lead artistes but is hampered by a slow screenplay and weak story-line  A.L Vijay must work harder and smarter, if he wants to be noticed in the coming years.


Ratings: 3/5 STARS

BY:TAMIL

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