ETHO SEITHAAI ENNAI MOVIE REVIEW

'Etho Seithai Ennai' came out without any fanfare or publicity at all, which makes us to brush of this film outright, just before noticing the cast of the film ! It has some veteran artistes who are making their odd return to the film industry and also the hero Shakkthi, son of veteran director P.Vasu. Does this film deserves any sort of publicity ? Definitely not at all !

Shakkthi makes his comeback after a small guest role in 'Yuvan Yuvathi'. He has established himself as a proper actor, who can emote and deliver dialogues confidently, with some little bit of charm in his previous films. What's not watchable here, is the ridiculously etched out sequences in which he has to perform the acts of heroes done in the 80's and early 90's. He has just performed what the director wanted, and there's nothing special here, which is worthy enough for a comeback. Liya, who did a role in 'Peraanmai' makes her comeback as well, which is not worthy off. She struggles in her role and there's no chemistry at all between her character and that of Shakkthi's which makes their love portion sequences like a sore thumb ! Anand Babu and Anandh makes their comebacks too, through this film and together with John Vijay, all three of them look like the cinematic, and over-the-top villains whom we are used to seeing, time immemorial. Bhanuchander, Ilavarasan, Sai Prashanth, Devi Priya makes their presence in small roles and Srinath makes us chuckle a bit in his sequences, with his funny dialogues and body language.

On the technical front, this film has nothing to offer us. 'Rock' Prabhu's stunts were okay, though some portions look overtly-done. K.R Shree, has very less budget to afford, I guess, so his art work is very minimal, with some props here and there. Muthulakshmi Varadhan's editing was poor with the continuity of the story getting hit badly. Ezhil Arasan's lighting was poor which makes his cinematography of the film look like the work of an amateur, befitting for a short film. Ganesh B.Kumar's tunes are not hummable at all. "Muzhu Nilavu" was shot within a bus setting with the lead pair, with some narrow angles. "Pogamal Oru Naal" was shot within a campus setting, shot at night mostly, with some few background dancers thrown into the frame. "Kadhil Mattum" was shot in foreign locales, Venice to be precise, which gives the film a different look but the song composition was bad, with poor angles, which does not bring out the beauty of the place being focused upon. 'Falling in Love" is a montage-filled song, showing the flashbacks of the lead pair and their encounters with each other.

J.Elvin Bosser, the director tries to weave a story of rivalries, love and back-stabbing in the story, but the events stands out mutually exclusive of each other and though the director tries to weave all the subplots together, it did not gel well, making us to wonder, why so and so proceedings are taking place in the script. The rivalry portion was poorly executed, leaving us not hooked to it and worse, not able to comprehend, why the rivalry is there in the first place and what makes the characters to bay out for each other's blood. The love sequences too did not look thoroughly convincing nor interesting.

'Etho Seithaai Ennai' - No idea, what the director wanted to convey as a film !

Ratings: 1/5 STARS

BY:TAMIL

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