Showing posts with label Radhika Apte. Show all posts
Showing posts with label Radhika Apte. Show all posts

ALL IN ALL AZHAGU RAJA MOVIE REVIEW

This film had all the ingredients to be a 'killer' comedy flick. A catchy title, the successful combo of 'Comedy Superstar' and M.Rajesh and add in Karthi into the equation. Isn't this suppose to be an exciting combination and that too for a Deepavali season ? M.Rajesh has scored hat-trick of successes but can he and Santhanam utilize their prowess in comedy and score a nearly, unprecedented four strikes in a row ?

Karthi has the charming looks and cute expressions to win over the ladies. He certainly looks handsome and cute in the colorful attires and with his facial expressions. His voice modulation too can be appreciated but he does not seem to be entirely convincing in an out-and-out comedy role. He certainly seems to lack some confidence in certain sequences, but it can be overlooked due to his chemistry with Santhanam. The fabulous entertainer is in fine form, though 'All in All Azhagu Raja' is no where near his best. His myriad of expressions and body language must be appreciated and for pulling it off effervescently, as well. The 80's episode does look over-the-top, but its a good try from Karthi and Santhanam, who have put in personal efforts to mimic Prabhu and Suruli Rajan, respectively. Kajal Aggarwal has put in simple efforts and she's at complete ease in her role. There's conviction in her performance, though there are plenty of room for improvements. Additional plus point is her gorgeous attires and looks in songs. Prabhu does a simple role and looks like the perfect gentleman whereas Naren tries and out-and-out comedy for the first time. The biggest drawback is the wastage of talents such as Saranya Ponvannan, Kota Srinivasa Rao, Nassar, M.S Bhaskar, who are fantastic performers, but was made to do ill-written roles. Radhika Apte was cute in the flashback sequence. Sri Ranjani, Santhana Bharathi, V.S Raghavan, Senthil, Vetrivel Raja and etc make up the rest of the cast.

The technical crew of the film have delivered very decent output, in terms of production value. Priyanka Kochar and Rustam Chauhan's costume designing was very rich and vibrant in colors. Kajal Aggarwal was looking beautiful in half-sarees especially and the pair should be lauded for their work on Santhanam's look and dress code. Not to forget, the 80's episode was well worked as well. Om Prakash's action choreography was unnecessary for this script, though it was well executed. Vivek Harshan could have done a lot, lot better in terms of editing. The film is conspicuously slow paced and drags too much in the second half. Other than that, the 80's episode was well edited and presented, though the 35mm format could have been maintained for it. Jacki's production design was just adequate and perfect. The props used for songs were colorful and lively and the ambiance of small town ambiance has been well maintained throughout the film. Sakthi Saravanan's cinematography was very colorful and bright and its just a pity that the 80's sequence was reverted to stereoscopic format, instead of the originally intended 35mm format. Balasubramaniem also chips in with his contribution and on overall basis, the film's cinematography works were simple, neat and colorful.

S.S Thaman has scored decent numbers for this flick, which has the potential to be chart-busters. "All in All" is the opening introductory song and had few montages of comedy portions involving Karthi, Santhanam and Kota Srinivasa Rao, with apt production design by Jacki, who erected sets resembling jewelry commercial advertisements. "Ore Oru" is a situational bit-song and serves as Kajal's introductory song, and was shot in a wedding hall premise. "Yaarukkum Sollaame" is the pick of the lot and had colorful props by Jacki, resembling Pongal celebrations. Sakthi Saravanan has captured good shots of rural temples and small town ambiance very well. Kajal looked a million-bucks in the traditional half-sarees, she was wearing for this song. "Silu Silu" is another situational extra bit-song, and was shot on Karthi dancing in the streets, shot in the dark, middle of the night atmosphere. "Unnai Paartha Neram" is the visually best made song. Inspired by the "Oh Maane Maane" song from 'Vellai Roja', Karthi and Radhika Apte were made to resemble like Prabhu and Ambika, and the choreography and camera works were all in-tune with the 80's style and format. Good stuff ! "Yamma Yamma" was shot on Karthi and Kajal and had vibrantly colored, simple house-like set works and some sharp editing by Vivek Harshan. The background score too was neatly done, but whether the songs were well utilized or not is a different question all together.

When it comes to M.Rajesh's films, its all about contemporary funny dialogues and a comedy entertainer, pertaining to the tastes of youth audiences. One cannot expect a fully bounded, well-researched script from M.Rajesh, if you are familiar with his previous films. The light-hearted manner of his script was his trump card, though all of his films had very thin plot-line. The same applies to 'All in All Azhaguraja' as well, but this time the output is disappointingly, a big letdown. Santhanam has always been omnipresent throughout the length of his M.Rajesh's previous films', apart from a few scenes. But here, Santhanam only appears sporadically and most of the jokes fell flat. Literally ! There's no excitement or any rip-roaring comedy sequences in this flick, as how it was in 'Siva Manasula Sakthi, 'Boss Engira Baskaran' or 'Oru Kal Oru Kannadi'. Although all of them were simple comedy films, they all had some semblance of true emotional content. But its conspicuously absent in 'All in All Azhagu Raja' and whatever we encounter just seems to be too farcical to be taken serious. The ending is the epitome of ludicrousness. Also, there are more silly and unpretentious gags throughout the film, which are pretty much not welcomed. The story appears to be heading no where, and it tests our patience, especially with the draggy second half. Although the 80's episode were well etched out, they hold not much importance to the script. As mentioned earlier, talented artistes have been wasted just like that, which is an unacceptable factor. 

'All in All Azhagu Raja' - The first blip for M.Rajesh and a hat-trick of flops for Karthi. For sure !


Ratings: 2.25/5 STARS

BY:TAMIL

DHONI MOVIE REVIEW


Dhoni is the second directorial venture of veteran Prakash Raj, but the first in Tamizh. As with the case of his first film, this time too he has made a movie based on a story of another director, that is Mahesh Manjrekar which was made into a Marathi film titled "Shikshanachya Aaicha Gho". The movie evoked curiosity once Ilaiyaraaja was confirmed as the music director. The music album garnered acclaim for the live-recording method used by Raja sir after so many years. Considering that Prakash Raj is a no-nonsense actor and who promotes good movies through his production units Duet Movies and Silent Movies, Dhoni is expected to be a movie with good and decent quality.

Though the movie was promoted as tackling issues of father-son relationship, the whole movie is centered on Prakash Raj. He is the soul of the movie and he has delivered and honest and heartwarming performance. Being a veteran, he knows where to deliver all the subtle and sensitive emotions and he has pulled of the role of the caring middle-class father, Subbu very, very well. It is a good diversion for Prakash Raj who's usually called in to do the lame antagonist roles. He stands out in most of the scenes but the television show and breaking the bat episodes are the stand outs. Akash Puri, who is debuting through this film, carries out his role quite decently, though it was obvious he's not too comfortable with the language as the dubbing artiste's voice was not in sync with his dialogue delivery in a number of scenes. Radhika Apte leaves a mark with her sweet personality. A host of experienced artistes features in this film and all of them delivered natural performances. Be it Nasser, Brahmanandam, Chaams, Tejasri, 'Thalaivasal' Vijay, Thanikala Barani, Singamuthu, Murali Sharma, Balaji, and etc. Brahmanandam was a scream in his small role and as usual fantastic with his facial expressions. Kudos to the cast.

Technically the film carries quality output. First of all Isaignani Ilaiyaraja's music was a treat to all fans of his music. The songs were a throwback to his heydays and all of them were picturized in montage sequences. Special mention must be given for the "Vaangum Panathukkum" number which had a special cameo appearance of Prabhu Deva throughout the song and cutely choreographed by Dinesh. Raja sir's re-recording was subtle and was underplayed. Art direction by K.Kathirr was commendable, especially the registrar office sets and the house of the protagonist. Kishore T.E's editing was flawless and S.S Vasu's costumes were natural. KV Guhan's cinematography captured the ambiance of middle class life very well and helps the viewers to relate to the emotions of the characters, especially when the camera moves along with the characters.

Mahesh Manjrekar's story is not something revolutionary as the issue of education has been tackled few times in Indian cinema with "Taare Zameen Par", "3 Idiots" and it's recent remake "Nanban" all highlighted the issue of education being a burden, rather than a joy for kids, nowadays. Screenplay by Prakash Raj and T.J Gnanavel was OK but certain sequences could have been avoided as it was a little cinematic and over-the-top. But it is only a minor issue, as overall the script was well written with subtle humors, emotional turbulence and the trappings of middle-class life were all wonderfully presented which is the USP of the script, as it is something every audience can relate and empathize with. Besides that, another major strength of the film is the dialogues by T.J Gnanavel. They are emotional and soft in nature, yet sharp with in reality. Job very well done by T.J Gnanavel. Prakash Raj has balanced his work as the director and protagonist very well, with good selection of artistes and extracting good work from all of them and at the same time, delivering a fantastic performance.

Hope Prakash Raj continues this wonderful journey as a director and churn out more meaningful cinema like this. Dhoni is a well made film, with a soft-natured screenplay yet manages to deliver a thumping message to all.


Ratings: 3/5 STARS

BY:TAMIL